Computational Literary Studies: Participant Forum Responses, Day 3

Katherine Bode

Da’s is the first article (I’m aware of) to offer a statistical rejection of statistical approaches to literature. The exaggerated ideological agenda of earlier criticisms, which described the use of numbers or computers to analyze literature as neoliberal, neoimperialist, neoconservative, and more, made them easy to dismiss. Yet to some extent, this routinized dismissal instituted a binary in CLS, wherein numbers, statistics, and computers became distinct from ideology. If nothing else, this debate will hopefully demonstrate that no arguments––including statistical ones––are ideologically (or ethically) neutral.

But this realization doesn’t get us very far. If all arguments have ideological and ethical dimensions, then making and assessing them requires something more than proving their in/accuracy; more than establishing their reproducibility, replicability, or lack thereof. Da’s “Argument” response seemed to move us toward what is needed in describing the aim of her article as: “to empower literary scholars and editors to ask logical questions about computational and quantitative literary criticism should they suspect a conceptual mismatch between the result and the argument or perceive the literary-critical payoff to be extraordinarily low.” However, she closes that path down in allowing only one possible answer to such questions: “in practice” there can be no “payoff … [in terms of] literary-critical meaning, from these methods”; CLS “conclusions”––whether “corroborat[ing] or disprov[ing] existing knowledge”––are only ever “tautological at best, merely superficial at worse.”

Risking blatant self-promotion, I’d say I’ve often used quantification to show “something interesting that derives from measurements that are nonreductive.” For instance, A World of Fiction challenges the prevailing view that nineteenth-century Australian fiction replicates the legal lie of terra nullius by not representing Aboriginal characters, in establishing their widespread prevalence in such fiction; and contrary to the perception of the Australian colonies as separate literary cultures oriented toward their metropolitan centers, it demonstrates the existence of a largely separate, strongly interlinked, provincial literary culture.[1] To give just one other example from many possibilities, Ted Underwood’s “Why Literary Time is Measured in Minutes” uses hand-coded samples from three centuries of literature to indicate an acceleration in the pace of fiction.[2] Running the gauntlet from counting to predictive modelling, these arguments are all statistical, according to Da’s definition: “if numbers and their interpretation are involved, then statistics has come into play.” And as in this definition, they don’t stop with numerical results, but explore their literary critical and historical implications.

If what happens prior to arriving at a statistical finding cannot be justified, the argument is worthless; the same is true if what happens after that point is of no literary-critical interest. Ethical considerations are essential in justifying what is studied, why, and how. This is not––and should not be––a low bar. I’d hoped this forum would help build connections between literary and statistical ways of knowing. The idea that quantification and computation can only yield superficial or tautological literary arguments shows that we’re just replaying the same old arguments, even if both sides are now making them in statistical terms.

KATHERINE BODE is associate professor of literary and textual studies at the Australian National University. Her latest book, A World of Fiction: Digital Collections and the Future of Literary History (2018), offers a new approach to literary research with mass-digitized collections, based on the theory and technology of the scholarly edition. Applying this model, Bode investigates a transnational collection of around 10,000 novels and novellas, discovered in digitized nineteenth-century Australian newspapers, to offer new insights into phenomena ranging from literary anonymity and fiction syndication to the emergence and intersections of national literary traditions.

[1]Katherine Bode, A World of Fiction: Digital Collections and the Future of Literary History (Ann Arbor: University of Michigan Press, 2018).

[2]Ted Underwood, “Why Literary Time is Measured in Minutes,” ELH 85.2 (2018): 341–365.

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