Grateful thanks to all who made this possible.
In the spring of 1978, my friends Endre Farkas and Ken Norris, of our ‘group of 7’ – The Vehicule Poets – for their participation in my first videopoem, Sympathies of War. Herman Berlandt, Director of the San Francisco Poetry Film Workshop, who drew a line in the sand when he informed me that he wouldn’t look at Sympathies of War because ‘We don’t recognize video. We work only in film.’ Michael Konyves, aged 7, who performed as General Misunderstanding in Ubu’s Blues and held signs in See/Saw. Steve McCaffery. Stephen Morrissey, who published my essay on videopoetry in The Insecurities of Art, 1981. Heather Haley, Vancouver media artist, Visible Verse festival curator, faithful supporter for many years. Vancouver videopoet Susan Cormier, for her confidence in this work. Dean of Arts, Jacqueline Nolte, whose encouragement led to Word and Image, a course in visual creative writing at the University of the Fraser Valley. Brad Whittaker, Research Office, UFV. Kin spirit, George Aguilar, whose archive of video poems and cin(e)poetry in San Francisco was invaluable to my research. David Jhave Johnston, multimedia/digital poet of the exquisite short, for his funnybone and suggestions for order. Chicago video artist, e-poet and theoretician, Kurt Heintz, for the endless hours of inspired discussion. Richard Kostelanetz, for access to his home and his many works in and on this genre. Javier Robledo, organizer of the Videobardo Videopoetry Festival and Archive in Buenos Aires, for VIP hospitality and five days of screenings. William C. Wees, Professor Emeritus of English at McGill University in Montreal, editor of The Canadian Journal of Film Studies, for his generosity to discuss some aspects of this at length and introducing me to David Foster’s work on adapting poetry to film, Toronto filmmaker Richard Hancox’ Waterworx, Peter Todd, filmmaker and curator of the London Film Poems Series, and Arthur Lipsett’s Very Nice, Very Nice. Al Razutis for Visual Essays. Thomas Zandegiacomo Del Bel, for access to the vast archive at the Zebra Poetry Film Festival in Berlin. The Hungarian connection, Tibor Papp, Paul Nagy and George Galantai’s amazing documentation and research centre, Artpool in Budapest. Eduard Escoffet, for his work in sonorous poetry in Barcelona. Lionel Kearns, a pioneer and friend, and Jim Andrews, vispo, for rescuing bp nichol’s First Screening. George Bowering, for his performance in Lost in the Library. Michael Snow, for So Is This. Toronto Intermedia artist, W. Mark Sutherland, for his encouragement from the start. Eric Cassar, for inventing the videohaiku. Visual poet and meta-blogger, Geof Huth, for asking all the right questions. Ron Silliman, L=A=N=G=U=A=G=E poet, critic, Poet Laureate of the Blogosphere, for the kick-start to this. Tony Trehy, for the Text Festival evening of videopoetry in Bury. UK artwriter extraordinaire, Tamarin Norwood, for her near-translations and in-sightful comments. Portuguese video artist, Rui Silveira, for translating Oyvind Fahlström into a one-sentence videopoem. Finnish videopoet, Jani Sipila, for spreading the word. Eduardo Kac, multimedia, communications and biological artist, for including E.M. de Melo e Castro’s essay on videopoetry in MEDIA POETRY, Poetic Innovation and New Technologies. Fil Ieropoulos and Chris Funkhauser for historical analysis. Chicago poet, Francesco Levato for works from the Split This Rock Festival. Linden Ontjes, Larissa Moore, for access to Reel to Real, Seattle. Bart Testa for feedback and guidance concerning issues related to screen text. Alex Konyves, for his continued technical assistance. Martin Borycki, for mind-bending distractions. Jack Velvet, CITR, for providing hypnotic musical support. Gary Hill, whose early experiments were most instructive. Mel Vapour, East Bay Media Center, Berkeley. Enzo Minarelli, 3ViTre Archivio di Polipoesia, Cento, Italy. Parisian poet, researcher, Jean Pierre Balpe, for La Poésie Vidéo ou Vidéo Poésie. Dave Bonta, for the Moving Poems forum. Sarah Tremlett, for her continued support. German filmmaker Ralf Schmerberg, who proved that 19 poems from the German literary canon can be brought to the big screen as a feature film, Poem. Nico Vassilakis. Jérôme Game. Manuel Portela. Juan F. Egea. John M Bennett/Nicolas Carras. Gary Sherwin. Gary Barwin. Joel Baird. Caterina Davinio. Hubert Sielecki. Victoria Messi. Eric Gamalinda. Nick Carbo.
Special thanks to my wife, Marlene, my terra firma.